I engaged in a study of alchemical literature beginning in 1974, continuing
on up until about 1980. Alchemy can be a mighty deep pit, similar in some ways
to a Black Hole – if you find yourself drawn in too closely, it can be
difficult to pull yourself out again. Or, if you prefer a less politically
correct metaphor, it can be a real Tar Baby…
Alchemy as a historically documented human discipline began a few centuries
before the Christian Era. At its core was the belief that man could refine and
perfect raw elements into a more sublime form. The process by which one did
this involved a combination of both physical and psychical manipulations.
It’s quite clear in the early writings that "true" alchemy was never so
much about turning lead into gold, or in creating an actual Philosopher’s
Stone that could literally transmute base elements into a pure, all-healing
substance. Rather, it was all about finding the hidden spiritual essence
within the human operator. The Great Work (Magnus Opus) was intended to
extract one’s better spirit from the baseness of the physical world, thereby
facilitating a closer union with the Godhead – an apocatastasis. The
physical manipulations that were involved merely represented a means of
focusing the movement of the intellect toward this goal – an analogic,
meditative aid. You’ll recognize at once the gnostic basis for early alchemy:
through knowledge comes salvation.
My jumping off point was several works by Carl Jung, notably Mysterium
Coniunctionis and Alchemical Studies (Collected Works of C.G.
Jung Vol.13). Working my way back to the source documents, I soon
discovered that the overall subject of alchemy is way too complex and
convoluted to absorb in any generalized way. But Jung was particularly struck
by the existence of a specific, deep archetypal concept of a "quaternity" in
the human mind. This was based on his own case studies in his private
psychiatric practice. Now, to be a true archetype, it must be something that’s
innate inside all humans and ancient at its root. Sure enough, this 4-fold
notion was reflected in many of the original alchemical texts. The proper
alchemical synthesis of "the 4" would result in a unique amalgam, a
quintessence – 5th element – divine by its nature, a pure Ideal
in the Platonic sense.
As an alchemical exercise simple enough for me to attempt, I worked to
identify some of these 4-fold archetypal sets, and to arrange their members in
the proper relationship to each other based on their individual
characteristics. The original "starting material" (prima materia) for
alchemists was construed to be some corrupted combination of Earth, Water,
Air, and Fire. These elemental constituents each may be proscribed with their
own innate physical characteristics:
Characteristic |
Earth |
Water |
Air |
Fire |
Weight |
Heaviest |
Heavy |
Light |
Lightest |
Temperature |
Cold |
Cool |
Warm |
Hot |
Speed |
Slowest |
Slow |
Moderate |
Fast |
Moistness |
Dry |
Wet |
Moist |
Arid |
Activity |
Stable |
Mutable |
Permeating |
Frenetic |
Attitude |
Practical |
Emotional |
Intellectual |
Creative |
Et cetera. Other quaternities can be arranged in their appropriate orders
with respect to the above 4 base elements, by comparing their own described
characteristics. So I got something like this:
Quaternity |
Earth/Terra |
Water/Aqua |
Air/Aeris |
Fire/Ignis |
Progression |
1 |
2 |
3 |
4 |
Baseball Hits |
Single |
Double |
Triple |
Home
Run |
Cardinal Points |
North/Nether |
East/Aurora |
South/Sol |
West/Hesperus |
Color |
Black |
Blue |
Yellow |
Red |
Tarot
Suits |
Pages/Pentacles |
Queens/Cups |
Knights/Swords |
Kings/Wands |
Modern
Card Suits |
Diamonds |
Hearts |
Spades |
Clubs |
Alchemical Creatures |
Gnomes |
Undines |
Sylphs |
Salamanders |
Alchemical Stages |
Nigredo/
Melanosis |
Leucosis/
Dealbatio |
Xanthosis/
Citrinitas |
Iosis/
Rubefactio |
Forms
of Love |
Sex |
Eros |
Philia |
Agape |
Winds |
Septentrio |
Oriens |
Meridies |
Occidens |
Modern
Elements
(Etymology) |
Nitrogen
(Saltmaker) |
Hydrogen
(Waterborn) |
Oxygen
(Acid
Maker) |
Carbon
(Live
Coal) |
Brain
Waves |
Delta
(0.5-3.5 Hz) |
Alpha
(7-13
Hz) |
Beta
(13-25
Hz) |
Theta
(3.5-7
Hz) |
DNA |
Guanine/Guano
(C5H5N5O) |
Adenine/Nephros
(C5H5N5) |
Cytosine/Kytos
(C4H5N3O) |
Thymine/Thymos
(C5H6N2O2) |
Kabala
1 |
Power/
Gebhurah |
Wisdom/
Chochma |
Intelligence/
Binah |
Greatness/
Gedulah |
Kabala
2 |
Body |
Understanding |
Mind |
Will |
Mesopotamian Gods |
Enlil |
Boaz |
Jakin |
Ea |
Archons |
Sabaoth |
Iao |
Adonai |
Ialdabaoth |
Spirit |
Faith/Pistis |
Hope/Elpis |
Love/Agape |
Knowledge/Gnosis |
Personality 1 |
Melancholic |
Phlegmatic |
Choleric |
Sanguine |
Personality 2 |
Driver |
Amiable |
Analytical |
Expressive |
Et cetera again. You can invoke other quaternities, and by the process
of thinking carefully and clearly about what each unit’s characteristics are,
place them in proper arrangement in the above table.
And what exactly was I doing when I did this? I was waking myself
up to think about the meaning of things that otherwise just occupied
dead space in my brain. How is each concept of a set linked to the rest? By
what progressive path may each of the concepts be understood, overtaken and
ultimately overcome? How do the features of each concept relate to the
structure of my own beliefs and personality? What is the common thread that
binds them together? How do I synthesize a quintessence from them –
and, in so doing, achieve that sublime amalgam in myself? For that is
the end product of alchemy.
Today, 25 years later, I don’t consciously think much anymore about
alchemy. I consider myself lucky to have evaded its snare. But there is
something left of our early courtship. For example, to this day, I tend to
like pictures of dragons. And I find I can reduce the complexity of modern
life into much simpler frames of reference. To me, that’s worth any amount of
transmuted gold.